Lavani originated in the arid region of Maharashtra and Madhya Pradesh. The verve, the enthusiasm, the rhythm and above all the very beat of India finds an expressive declaration amidst the folk music of India, which has somewhat, redefined the term "bliss". Dance performed by attractive women wearing nine-yard saris.
Lavani is a combination of traditional song and dance, which particularly performed to the enchanting beats of 'Dholaki', a drum-like instrument. The dance format associated with Lavani is known as Tamasha. Traditionally, the songs are sung by female artistes, but male artistes may occasionally sing Lavanis. It has in fact become a necessary part of the Maharashtrian folk dance performances. This is one of the most popular forms of dance and music that is practiced all over Maharashtra. Lavani comes from the word Lavanya which means beauty. The main languages are Kumaoni and Garhwali. Tabla and harmonium are also used, but to a lesser extent. Musical instruments used in Uttarakhand music include the dhol, damoun, turri, ransingha, dholki, daur, thali, bhankora and masakbhaja. Thus the songs of Uttarakhand are a true reflection of the Cultural Heritage and the way people live their lives in the Himalayas. The folk music primarily is related to the various festivals, religious traditions, folk stories and simple life of the people of Uttarakhand. The pure and blessed music have the feel and the touch of nature and subjects related to nature. Uttarakhandi folk music had its root in the lap of nature.
Examples: Apni Azadi Ko Hum Hargis Mita Sakte Nahin, ajadee hoyni tor, Kadam kadam badhaye jaa, Vande Mataram, etc. Due to the British occupation in India, a lot of protest songs about anti-imperialism/pro-socialism have been written in India. The songs are usually about Freedom, community strength, patriotism. Ganasangeet is generally sung in chorus carrying some social message.
Actually Dandiya is a kind of dance rather than a music, the music is called a Garba in local language. It is practised in (mainly) the state of Gujrat. The present musical style is derived from the traditional musical accompaniment to the folk dance. Folk musicĭandiya is a form of dance-oriented folk music that has also been adapted for pop music. Light classical or semi-classical music include the following genres: thumri, dadra, ghazal, chaiti, kajri and tappa. It has served as the foundation for most music in South India, including folk music, festival music and has also extended its influence to film music in the past 100–150 years or so. Noted artists of Carnatic Music include MS Subbulakshmi, Ariyakudi Ramanuja Iyengar (the father of the current concert format), Semmangudi Srinivasa Iyer, Prapancham Sita Raman, TN Seshagopalan and more recently Sanjay Subrahmanyan, Balamuralikrishna, K J Yesudas, N.Ramani, Lalgudi Jayaraman, umayalapuram sivaraman, Dr.Mysore Manjunath, Mysore Nagaraj, TM Krishna, Bombay Jayashri, etc.Įvery December, the city of Chennai in India has its six week-long Music Season, which has been described as the world's largest cultural event. Sri Tyagaraja, Sri Shyama Shastry and Sri Muthuswami Dikshitar are considered the trinity of carnatic music and with them came the golden age in carnatic music in the 18th-19th century. Purandara Dasa is considered the father of carnatic music. There are about 7.2 million ragas (or scales) in Carnatic Music, with around 300 still in use today. The main emphasis is on the vocals as most compositions are written to be sung, and even when played on instruments, they are meant to be performed in a singing style (known as gāyaki). It consists of a composition with improvised embellishments added to the piece in the forms of Raga Alapana, Kalpanaswaram, Neraval, and, in the case of more advanced students, Ragam Tanam Pallavi. It is one of the oldest musical forms that continue to survive today.Ĭarnatic music is melodic, with improvised variations. However, the form itself is reputed to have been one of the gifts bestowed on man by the gods of Hindu mythology. The present form of Carnatic music is based on historical developments that can be traced to the 15th - 16th centuries AD and thereafter. Galaxy of Musicians by Raja Ravi Varma depicts Indian women dressed in regional attire playing a variety of musical instruments popular in different parts of the country.
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